Flavigula

Here lies Martes Flavigula, eternally beneath the splintered earth.


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Sat, 15 Oct, 2005 14.00 UTC

Since I am unable to do any real work at the moment, I decided to fiddle with my Livejournal Interests for a good while. I’d say I performed a more or less 40% modification. The initial purpose was to rid the list of the more general interests and replace them with more specific ones. For example, I replaced Indian Food with Korma and Vindaloo. The purpose is to define myself in a more explicit manner. Whether I have succeeded or not, I don’t know. It was a mildly interesting amusement, however, which ate away a bit the fog of depression I wrote about earlier. So, now my view is only partly occluded.

I have been thinking to adjust my sleeping schedule. So: my plan was to stay at work all night, a good deal of tomorrow, and crawl back blearily to my flat sometime in the evening to retire. It’s three in the morning now and I don’t know if I am going to make it. Perhaps the portion of the fog eaten away by my idle pursuits on Livejournal has been replaced by exhaustion. I did get up at 16.00 this past afternoon, though, and wonder why I should be so tired after only eleven hours. Maybe all the salami and horseradish I ate earlier stole my alertness. Maybe if I snorted the horseradish, the alertness would return. I should give it a try.

Oouh.


Commentaries:

Tony:

Yeah, doing something works better than doing nothing. And a regular sleep schedule is a definite plus.

I’ve arranged two songs in two days.

Me:

I have a regular sleep schedule. It is just from about 7 or 8am to 2 or 3pm. The daylight hours are waning. I’m not totally nocturnal, so I’d better start going to sleep earlier. Yeah.

Which two have you arranged?>

Tony:

“Julia Dream” (Thu) - just a simple driving piano figure (with sustain pedal!), some backgroundy distorted guitar. Flute part at end. Intended country/western accent when sung.

“Come On Darkness” (Fri) - bass, some hand drumming, 2 dulcimer tracks playing the chords. Sang along with that CD today.

“Only the Good Die Young” (Sat) - slow down a bit & cut out some of the repetition, stun bass, organ lead (prob. 2 in stereo), vox in baritonish range. Maybe strobe light/phototheremin trick for beat. Need to finish transcribing from tab.

“A Smart Kid” I plan to be mostly if not all vocals; “Bee Dream” I haven’t thought about yet, probably incorporate violin.

As my own accompanist, and as a spare-timer, there are limits to what I can do… trying to make ‘em distinctive, anyway. I think my aptitudes run producer > writer > player.

Me:

Here's my take on 'Bee Dream'...

C                     F    G
Each of us has in his soul

C                    F          G
A portion of eagle - a portion of mole

C                           F           G    (extra two beats of G)
One soars in the sunlight - one snores in a hole

C                           F    G
The mountain which looks like a prop

C                          F              G
Is black at the bottom and white at the top

C                        F     G
Soldiers surrounded with twine

C                          F             G    (two extra beats of G)
I have to cut through it and claim what is mine

Eb                    Bb
The summit is marked by a tree

Eb                Bb
My double in uniform challeges me

Ab
He says is this tree mine

G
I say tap it and see

C   F G C   F G

C                    F      G
So he drives in a platinum spout

C                             F           G    (two more beats of G)
Turns the tap on and all this jelly comes out

Eb                  Bb
Royal jelly which I stored in this tree

Eb                    Bb
In an earlier lifetime when I was a bee

Ab                 G
Yeah I'm a king bee though my wings be furled

Ab                     G
And my kingdom is not of this world

C   F G C   F G etc...

You might want to use a capo on the third fret or just transpose the whole thing to A (so the Eb becomes C), but it's up to you!

sxaxxen

Tony:

Using a capo is for the weak!

MzoNe:

So does that mean you are going to transpose it or do it in C, big britches?

Tony:

I’ll play piano & violin on it, so I’ll probably just do it in C. I’m good on the chords and structure, but could you pick out the vocal melody for me?

Along with martens, goulish goats and the rippling fen -
these writings 1993-2023 by Bob Murry Shelton are licensed under CC BY-NC-SA 4.0

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